FilmMusic Analysis by Emilio Audissino

Author:Emilio Audissino
Language: eng
Format: epub
Publisher: Springer International Publishing, Cham

2.For an introduction on the psychology of music, see Gjerdingen (2002).

3.For simplicity’s sake, I use ‘emotional’ and ‘emotive’ herewith to broadly refer to the psychological sphere of emotions, but most theorists distinguish between emotions proper, moods, feelings, and affects. See Plantinga (2011).

4.On the difference between ‘designative’ and ‘embodied’ meaning, see Meyer (1956, p. 35).

5.On tropes in film music, see Scheurer (2008).

6.The influence of Meyer’s work is acknowledged in Bordwell (1985, pp. 284, 351, n. 54).

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